Sébastien, hurdy-gurdy maker

The hurdy-gurdy

The hurdy-gurdy is a very old instrument, probably dating back to the twelfth century. It was a court instrument and then, gradually replaced by the piano-forte, it became the companion of street musicians.
It is a stringed instrument, the strings being rubbed by a wooden wheel, turned with a crank used with the right hand, the left hand playing on a keyboard.
It is towards the nineteenth century that the hurdy-gurdy, which had gradually disappeared, is taken again by Berry, from where it will know a new expansion.

 

Sébastien Tourny, hurdy-gurdy maker

This violin maker has been practicing since 1998, and within his own company since 2013. As his title indicates, he creates hurdy-gurdies, he makes them, which obviously requires a strong technical and musical experience! And, for the neophyte, these instruments that come out of his hands... it's very beautiful!

He also carries out the adjustment, the maintenance, and the repair of hurdy-gurdies which are entrusted to him.
And then, if the passion leads you to it, he will give you lessons, or will make you participate in training courses.

He has several years of work ahead of him, and it is therefore impossible to simply push his door to visit his workshop unannounced. But he is part of an association dedicated to the discovery of the companies and know-how of the Indre, "Secrets de fabrique". This association, which is an offshoot of the Indre Attractiveness Agency, organizes visits to craftsmen and companies, including that of Sébastien Tourny. And here is the way to exchange a little with him!

 

Sébastien Tourny
29, Avenue D'Auvergne
36400 La Châtre
https://www.sebastientourny.fr/
https://www.indreberry.fr/secrets-de-fabrique/

 

 

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To go further....

Vielles et cornemuses en vallée noire

Click on the image

Gérard Guillaume, violoneux traditionnel et fin connaisseur de la Vallée Noire, nous offre cette plongée dans l’histoire des vielleux et cornemuseux de la région de La Châtre et du sud de l’Indre. Véritable petite encyclopédie du genre, l’auteur détaille les instruments, les pratiques et leurs origines, répond à quelques questions incontournables (existe-t-il un « folklore » berrichon ?), évoque la vie des luthiers, analyse le mythe des Maîtres-sonneurs et revient sur l’origine et l’évolution de la société des Gâs du Berry. Mais comme, dans ce domaine, l’identité provinciale est une réalité indéniable, les autres groupes de l’Indre et du Cher et les pratiques musicales des territoires voisins ne sont pas oubliées. Cet ouvrage de référence est illustré de nombreux documents et accompagné par le regard photographique, toujours généreux et parfois décalé, d’Yvan Bernaer sur quelques manifestations emblématiques d’aujourd’hui.

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